December 27, 2013 archive

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Happy Kwanzaa

Thursday began the start of the seven day festival of Kwanzaa, a celebration of Black family, culture and community, that features traditional food, music, dance, story telling and a lighting of symbolic candles each of the seven days.

The folks at Huffington Post put together a video that explains the festival and it core precepts.

Principles and symbols

Kwanzaa celebrates what its founder called the seven principles of Kwanzaa, or Nguzo Saba (originally Nguzu Saba-the seven principles of African Heritage), which Karenga said “is a communitarian African philosophy,” consisting of what Karenga called “the best of African thought and practice in constant exchange with the world.” These seven principles comprise *Kawaida, a Swahili term for tradition and reason. Each of the seven days of Kwanzaa is dedicated to one of the following principles, as follows:

  Umoja (Unity): To strive for and to maintain unity in the family, community, nation, and race.

   Kujichagulia (Self-Determination): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

   Ujima (Collective Work and Responsibility): To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.

   Ujamaa (Cooperative Economics): To build and maintain our own stores, shops, and other businesses and to profit from them together.

   Nia (Purpose): To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.

   Kuumba (Creativity): To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

   Imani (Faith): To believe with all our hearts in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.

Kwanzaa symbols include a decorative mat (Mkeka) on which other symbols are placed, corn (Muhindi) and other crops, a candle holder kinara with seven candles (Mishumaa Saba), a communal cup for pouring libation (Kikimbe cha Umoja), gifts (Zawadi), a poster of the seven principles, and a black, red, and green flag. The symbols were designed to convey the seven principles.[8]

On This Day In History December 27

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 27 is the 361st day of the year (362nd in leap years) in the Gregorian calendar. There are four days remaining until the end of the year.

On this day in 1932, Radio City Music Hall opened in New York City.

The 12-acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

Its originally planned name was International Music Hall. The names “Radio City” and “Radio City Music Hall” derive from one of the complex’s first tenants, the Radio Corporation of America. Radio City Music Hall was a project of Rockefeller; Samuel Roxy Rothafel, who previously opened the Roxy Theatre in 1927; and RCA chairman David Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller Plaza, just to the south of the Music Hall, and the radio-TV complex that lent the Music Hall its name is still known as the NBC Radio City Studios.

The Music Hall opened to the public on December 27, 1932 with a lavish stage show featuring Ray Bolger and Martha Graham. The opening was meant to be a return to high-class variety entertainment. The new format was not a success. The program was very long and individual acts were lost in the cavernous hall. On January 11, 1933, the Music Hall converted to the then familiar format of a feature film with a spectacular stage show which Rothafel had perfected at the Roxy Theatre. The first film was shown on the giant screen was Frank Capra’s The Bitter Tea of General Yen starring Barbara Stanwyck and the Music Hall became the premiere showcase for films from the RKO-Radio Studio. The film plus stage spectacle format continued at the Music Hall until 1979 with four complete performances presented every day.

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which further limited their film choices as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public.

Radio City Music Hall is currently leased to and managed by Madison Square Garden, Inc. Movie premieres and feature runs have occasionally taken place there but the focus of the theater throughout the year is now on concerts and live stage shows. The Radio City Christmas Spectacular continues to be an important annual event. The Music Hall has presented most of the leading pop and rock performers of the last 30 years as well as televised events including the Grammy Awards, the Tony Awards, and the MTV Music Awards.

The Quality of Mercy

Cross posted from The Stars Hollow Gazette

President Barack Obama has been quite miserly with his power to pardon and commute sentences. Since taking office, the president has only pardoned 39 people and commuted only one sentence, the fewest of any president in history. His recent “binge” commuting the sentences of eight federal prisoners who were convicted of crack cocaine offenses was was the first time retroactive relief was provided to a group of inmates who would most likely have received significantly shorter terms if they had been sentenced under current drug laws, sentencing rules and charging policies. All eight had already served 15 years and six had been sentenced to life. Unfortunately, that doesn’t do much for the thousands of other prisoners sentenced under the draconian laws that preceded  Fair Sentencing Act of 2010. Prison overcrowding in the country costs tax payers billions each year and most of the inmates are minorities and non-violent drug offenders.

The other prison population that could use a little mercy is the aged who, for the most part, no longer a danger to society. According a report by the Justice Department’s Office of the Inspector General, in just the past three years, the number of inmates over the age of 65 has grown by almost a third, while the population under 30 fell by 12 percent and are two to three times more expensive to keep in prison than their younger counterparts. Perhaps, as the report suggests, it is time for a compassionate release program for sick and infirm inmates.

“If the Risk Is Low, Let Them Go”: Elderly Prison Population Skyrockets Despite Low Risk to Society

Even amidst a modest reduction in the U.S. prison population, the number of aging men and women expected to die behind bars has skyrocketed in a system ill prepared to handle them and still oriented toward mass incarceration. We speak about the problems facing aging prisoners with Mujahid Farid, who was released from a New York state prison in 2011 after serving 33 years. He is now lead organizer with RAPP, which stands for “Release Aging People in Prison.” Their slogan is “If the risk is low, let them go.” His campaign work is part of Soros Justice Fellowship and is housed at the Correctional Association of New York. We are also joined by Soffiyah Elijah, executive director of the Correctional Association of New York, which monitors conditions in state prisons. “The parole board routinely denies people based on the nature of the offense, the one thing that no one can change, just like we can’t change our height or our eye color,” Elijah notes. “We need to look at that and say, if someone presents a low risk to recidivate, then we should be releasing them from prison. We’re wasting precious taxpayer dollars incarcerating people, and it’s much more expensive to incarcerate people who are older.”



Trancript can be read here



Transcript can be read here