(9 am – promoted by ek hornbeck)
Such a catchy title. Gotta work on that.
Lots of politickery today, and stories about late-night shows returning after the new year. Leno and Conan seem to be being forced back writer-less, and Letterman (who owns his production company) is negotiating his own interim agreement with the WGA. No word on the Daily Show/Colbert Report yet. Plus some action links, below.
Crossposted from dKos, where we’re chatting while desperately missing Jon & Stephen.
Consumers Support WGA’s latest target is American Express. Also presumably the flu virus, since she begged off early tonight to spend some quality time with an electric blanket.
Firedoglake has an easy email letter tool, sending stuff to show producers (TDS/TCR have been added), and you can still buy pencils, and visit StrikeSwag.com — profits donated to the WGA’s Solidarity Fund to help non-WGA members affected by the strike. Some sites to check out for info: |
Nikki Finke is going on a pre-holiday slowdown (and my brain seems to have joined her), so there isn’t as much weekend catch-up to do. Plenty out there, though.
In ‘negotiations’ news/politickery: the SAG (screen actors guild) supports the WGA, and the DGA (directors guild) will meet with the WGA to discuss their ‘New Media’ positions. This would be before the DGA starts its upcoming contract negotiations with AMPTP. Speaking (typing?) of the AMPTP, imagine this DeadlineHollywoodDaily headline being read in the resplendent, sonorous tones of, oh, James Earl Jones.
In addition to their statement, the AMPTP have released an ad (that’s AMPTP.org, not .com) proclaiming “different assets, different businesses, different companies, one common goal,” signed by the CEOs of Fox, Paramount, Disney, Sony, Warner bros, CBS, MGM, and NBC Universal. Here’s Nikki about that:
United Hollywood did some looking into that as well:
Some of the others are owned by independent film producers, actors, dead people, the WWE, the Humane Society of the United States, and the Mennonite Anabaptist Information Center (“a non-profit information center that teaches visitors about the faith and life of Amish and Mennonites, located in Shipshewana, Indiana”). Those are the key points, but there’s more snark at the source. |
And the WGA has decided to try to make individual deals with the various companies. Which may be what sparked that perhaps unwise ad. However, it’s a good segue into today’s other major story, the return of late-night shows. No, not ours yet, don’t get your hopes up.
Leno and Conan O’Brian are ‘reluctantly’ returning, writer-less, to the air after New Year’s. It looks to me like it’s about saving people’s jobs. They’ve been reminded that WGA strike rules
Letterman, who owns his own production company (“Worldwide Pants”), reportedly has (or is about to have) an interim agreement with the WGA to allow him and his writers to return to the air. There’s all sorts of politickery about this, which is making my teeny little brain hurt. So on to the ellpses… The LATimes reports that Striking writers {are} in talks to launch Web start-ups, bypassing the studios completely like United Artists did once upon a time… I keep finding myself pointed to Robert J. Elisberg’s Huffpo blogs (he’s been on the editorial board for the WGA, so presumably he knows what he’s talking about)… there’s been some more fan discussion about whether to buy DVDs or not while supporting the strike, and about strike-kosher tv options… The CW has followed NBC’s lead in giving money back to advertisers… if you live in LA, there’s a call to action about a city council meeting re: the impact of the strike… MoveOn has a petition going to bring back TDS/TCR… Tomorrow there will be ‘Scene of the Crime’ rallys (with crime show writers, of course) in NY and LA, and it looks like these are the last scheduled actions before the new year… the KansasCity.com froze with NY picketers this past Thursdau… and, let’s see. Here’s some analysis, and “Nick Counter’s Nickel Counter” was good… and United Hollywood’s word of the day today was
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but I’ll stop by over here too. Although my brain seems to have run out of words…
…the WGA has rejected waiver requests from the Golden Globes and Oscars. Which means that no clips can be used from films for the Oscars without their being picketed, and no writers can work on the Golden Globes.
From Variety.