December 2013 archive

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 28 is the 362nd day of the year (363rd in leap years) in the Gregorian calendar. There are three days remaining until the end of the year.

On this day in 1895, the first commercial movie is screened in Paris.

On this day in 1895, the world’s first commercial movie screening takes place at the Grand Cafe in Paris. The film was made by Louis and Auguste Lumiere, two French brothers who developed a camera-projector called the Cinematographe. The Lumiere brothers unveiled their invention to the public in March 1895 with a brief film showing workers leaving the Lumiere factory. On December 28, the entrepreneurial siblings screened a series of short scenes from everyday French life and charged admission for the first time.

Movie technology has its roots in the early 1830s, when Joseph Plateau of Belgium and Simon Stampfer of Austria simultaneously developed a device called the phenakistoscope, which incorporated a spinning disc with slots through which a series of drawings could be viewed, creating the effect of a single moving image. The phenakistoscope, considered the precursor of modern motion pictures, was followed by decades of advances and in 1890, Thomas Edison and his assistant William Dickson developed the first motion-picture camera, called the Kinetograph. The next year, 1891, Edison invented the Kinetoscope, a machine with a peephole viewer that allowed one person to watch a strip of film as it moved past a light.

In 1894, Antoine Lumiere, the father of Auguste (1862-1954) and Louis (1864-1948), saw a demonstration of Edison’s Kinetoscope. The elder Lumiere was impressed, but reportedly told his sons, who ran a successful photographic plate factory in Lyon, France, that they could come up with something better. Louis Lumiere’s Cinematographe, which was patented in 1895, was a combination movie camera and projector that could display moving images on a screen for an audience. The Cinematographe was also smaller, lighter and used less film than Edison’s technology

The Lumière brothers, Auguste Marie Louis Nicolas (19 October 1862, Besancon, France – 10 April 1954, Lyon) and Louis Jean (5 October 1864, Besancon, France – 6 June 1948, Bandol), were among the earliest filmmakers in history. (Appropriately, “lumière” translates as “light” in English.)

(In) 1862 and 1864, and moved to Lyon in 1870, where both attended La Martiniere, the largest technical school in Lyon. Their father, Claude-Antoine Lumière (1840-1911), ran a photographic firm and both brothers worked for him: Louis as a physicist and Auguste as a manager. Louis had made some improvements to the still-photograph process, the most notable being the dry-plate process, which was a major step towards moving images.

It was not until their father retired in 1892 that the brothers began to create moving pictures. They patented a number of significant processes leading up to their film camera – most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The cinèmatographe itself was patented on 13 February 1895 and the first footage ever to be recorded using it was recorded on March 19, 1895.

Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Cafè in Paris. This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière a Lyon (Workers Leaving the Lumière Factory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.

Cross posted frpm The Stars Hollow Gazette

At the end of each year Salon’s Alex Pareene gives us his list of his top ten journalistic hacks. This year Alex has ranked the columnists that are President Barack Obama top reads. As, he points out in the article, the Internet has made the conversation more “democratized” than in the past when everyone relied on the print media. Today it isn’t so much how many people read a columnist, it’s who.

But as a Politico editor could tell you, it’s not how many you reach, it’s who. Among Friedman’s readers: much of the nation’s executive class. Among Allen’s? Nearly everyone who works in any capacity for every member of Congress. That’s why it’s necessary to criticize them. They really do “drive the conversation,” to use a particularly odious Politico-ism. Both what is considered politically possible and politically desirable in this country depend in large part on what a handful of mainly older, mainly white and overwhelmingly male columnists and pundits say. Who is let into that conversation and who is left out of it has consequences for all Americans. That was made clear 10 years ago, in the run-up to the invasion of Iraq, which the nation’s premier political opinion makers (what we once called “Thought Leaders”) almost universally supported. The Bush administration was aware of this, too, and devoted more efforts to convincing them than to trying to win over what we vaguely call “the people.”

President Barack Obama. Barack Obama loves newspaper columnists. He reads them, because he thinks they offer smarter commentary than one hears on cable news, and he invites them to the White House regularly, so he can influence their writing.

There in lies the problem, as Alex lays it out. Of the columnists that Pres. Obama has said are his favorite reads and who he has invited to the White House, none are women, all but one is black, most are older than 50 and most supported the Iraq war in 2003.

These are the men whose opinions the president “favors”

12. Eugene Robinson, Washington Post.

11. Jonathan Chait, New York magazine.

10. Josh Barro, Business Insider.

9. Ezra Klein, Washington Post.

8. E.J. Dionne, Washington Post.

7. David Brooks.

6. Gerald Seib, Wall Street Journal.

5. David Ignatius, Washington Post.

4. Jeffrey Goldberg, Bloomberg View.

3. Joe Klein, Time.

2. Thomas Friedman, The Davos Herald-Register.

1. Fred Hiatt, Washington Post Editorial Page editor.

Who do you think the president should be reading more? Why?

Cross posted from The Stars Hollow Gazette

According to Project Censored these are the 25 news stories of 2013 that were under-reported, ignored, or poorly covered with a false narrative that skewed the facts.

MSNBC’s Chris Hayes, host of “All In,” and his panel discussed what they thought were the stories that went under reported

What news stories need more and better coverage?  

Welcome to the Health and Fitness News, a weekly diary which is cross-posted from The Stars Hollow Gazette. It is open for discussion about health related issues including diet, exercise, health and health care issues, as well as, tips on what you can do when there is a medical emergency. Also an opportunity to share and exchange your favorite healthy recipes.

Questions are encouraged and I will answer to the best of my ability. If I can’t, I will try to steer you in the right direction. Naturally, I cannot give individual medical advice for personal health issues. I can give you information about medical conditions and the current treatments available.

You can now find past Health and Fitness News diaries here and on the right hand side of the Front Page.

I have never been a gravy fan, but I am a fan of what I call “Mushroom Ragoût Gravy,” which is not a gravy at all but a mushroom ragoût, or stew. I always make too much. I double the recipe if we are going to be a dozen people, which we usually are during holiday gatherings, even though I know that nobody will have enough room on their plates for more than a spoonful. [..]

The recipe makes quite a lot of ragoût, but you won’t mind having it around. It keeps for three or four days in the refrigerator and freezes well, and the leftovers can be used to make omelets, strudels and more.

Martha Rose Shulman

Thursday began the start of the seven day festival of Kwanzaa, a celebration of Black family, culture and community, that features traditional food, music, dance, story telling and a lighting of symbolic candles each of the seven days.

The folks at Huffington Post put together a video that explains the festival and it core precepts.

Kwanzaa celebrates what its founder called the seven principles of Kwanzaa, or Nguzo Saba (originally Nguzu Saba-the seven principles of African Heritage), which Karenga said “is a communitarian African philosophy,” consisting of what Karenga called “the best of African thought and practice in constant exchange with the world.” These seven principles comprise *Kawaida, a Swahili term for tradition and reason. Each of the seven days of Kwanzaa is dedicated to one of the following principles, as follows:

  Umoja (Unity): To strive for and to maintain unity in the family, community, nation, and race.

   Kujichagulia (Self-Determination): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

   Ujima (Collective Work and Responsibility): To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.

   Ujamaa (Cooperative Economics): To build and maintain our own stores, shops, and other businesses and to profit from them together.

   Nia (Purpose): To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.

   Kuumba (Creativity): To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

   Imani (Faith): To believe with all our hearts in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.

Kwanzaa symbols include a decorative mat (Mkeka) on which other symbols are placed, corn (Muhindi) and other crops, a candle holder kinara with seven candles (Mishumaa Saba), a communal cup for pouring libation (Kikimbe cha Umoja), gifts (Zawadi), a poster of the seven principles, and a black, red, and green flag. The symbols were designed to convey the seven principles.[8]

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

December 27 is the 361st day of the year (362nd in leap years) in the Gregorian calendar. There are four days remaining until the end of the year.

On this day in 1932, Radio City Music Hall opened in New York City.

The 12-acre complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style. Rockefeller initially planned a new home for the Metropolitan Opera on the site, but after the Stock Market Crash of 1929, the plans changed and the opera company withdrew from the project.

Its originally planned name was International Music Hall. The names “Radio City” and “Radio City Music Hall” derive from one of the complex’s first tenants, the Radio Corporation of America. Radio City Music Hall was a project of Rockefeller; Samuel Roxy Rothafel, who previously opened the Roxy Theatre in 1927; and RCA chairman David Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller Plaza, just to the south of the Music Hall, and the radio-TV complex that lent the Music Hall its name is still known as the NBC Radio City Studios.

The Music Hall opened to the public on December 27, 1932 with a lavish stage show featuring Ray Bolger and Martha Graham. The opening was meant to be a return to high-class variety entertainment. The new format was not a success. The program was very long and individual acts were lost in the cavernous hall. On January 11, 1933, the Music Hall converted to the then familiar format of a feature film with a spectacular stage show which Rothafel had perfected at the Roxy Theatre. The first film was shown on the giant screen was Frank Capra’s The Bitter Tea of General Yen starring Barbara Stanwyck and the Music Hall became the premiere showcase for films from the RKO-Radio Studio. The film plus stage spectacle format continued at the Music Hall until 1979 with four complete performances presented every day.

By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which further limited their film choices as the decade wore on. Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public.

Radio City Music Hall is currently leased to and managed by Madison Square Garden, Inc. Movie premieres and feature runs have occasionally taken place there but the focus of the theater throughout the year is now on concerts and live stage shows. The Radio City Christmas Spectacular continues to be an important annual event. The Music Hall has presented most of the leading pop and rock performers of the last 30 years as well as televised events including the Grammy Awards, the Tony Awards, and the MTV Music Awards.

Cross posted from The Stars Hollow Gazette

President Barack Obama has been quite miserly with his power to pardon and commute sentences. Since taking office, the president has only pardoned 39 people and commuted only one sentence, the fewest of any president in history. His recent “binge” commuting the sentences of eight federal prisoners who were convicted of crack cocaine offenses was was the first time retroactive relief was provided to a group of inmates who would most likely have received significantly shorter terms if they had been sentenced under current drug laws, sentencing rules and charging policies. All eight had already served 15 years and six had been sentenced to life. Unfortunately, that doesn’t do much for the thousands of other prisoners sentenced under the draconian laws that preceded  Fair Sentencing Act of 2010. Prison overcrowding in the country costs tax payers billions each year and most of the inmates are minorities and non-violent drug offenders.

The other prison population that could use a little mercy is the aged who, for the most part, no longer a danger to society. According a report by the Justice Department’s Office of the Inspector General, in just the past three years, the number of inmates over the age of 65 has grown by almost a third, while the population under 30 fell by 12 percent and are two to three times more expensive to keep in prison than their younger counterparts. Perhaps, as the report suggests, it is time for a compassionate release program for sick and infirm inmates.

Even amidst a modest reduction in the U.S. prison population, the number of aging men and women expected to die behind bars has skyrocketed in a system ill prepared to handle them and still oriented toward mass incarceration. We speak about the problems facing aging prisoners with Mujahid Farid, who was released from a New York state prison in 2011 after serving 33 years. He is now lead organizer with RAPP, which stands for “Release Aging People in Prison.” Their slogan is “If the risk is low, let them go.” His campaign work is part of Soros Justice Fellowship and is housed at the Correctional Association of New York. We are also joined by Soffiyah Elijah, executive director of the Correctional Association of New York, which monitors conditions in state prisons. “The parole board routinely denies people based on the nature of the offense, the one thing that no one can change, just like we can’t change our height or our eye color,” Elijah notes. “We need to look at that and say, if someone presents a low risk to recidivate, then we should be releasing them from prison. We’re wasting precious taxpayer dollars incarcerating people, and it’s much more expensive to incarcerate people who are older.”