Il trovatore (The Troubadour) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador (1836) by Antonio Garcia Gutierrez. Cammarano died in mid-1852 before completing the libretto. This gave the composer the opportunity to propose significant revisions, which were accomplished under his direction by the young librettist, Leone Emanuele Bardare, and they are seen largely in the expansion of the role of Leonora.
The opera was first performed at the Teatro Apollo, Rome, on 19 January 1853 where it “began a victorious march throughout the operatic world”. Today it is given very frequently and is a staple of the standard operatic repertoire. It appears at number 17 on Opera America‘s list of the 20 most-performed operas in North America.
Enrico Caruso once said that all it takes for successful performance of Il trovatore is the four greatest singers in the world. On many different occasions, this opera and its music have been featured in various forms of popular culture and entertainment. Scenes of comic chaos play out over a performance of Il trovatore in the Marx Brothers‘s film, A Night at the Opera. Luchino Visconti used a performance of Il trovatore at La Fenice opera house for the opening sequence of his 1954 film Senso. As Manrico sings his battle cry in “Di quella pira”, the performance is interrupted by the answering cries of Italian nationalists in the audience. In Italian Film in the Light of Neorealism, Millicent Marcus proposes that Visconti used this operatic paradigm throughout Senso, with parallels between the opera’s protagonists, Manrico and Leonora, and the film’s protagonists, Ussoni and Livia.
Jon Turley displayed the temerity to call Obama’s NSA speechifying a “nothing-burger.” Nothing-burger from nothing-burger means nothing-burger, you gotta have something-burger, if you want to be with Jon! I don’t think Jon understands Obama’s deep humility concerning the code of silence amongst hardened criminals. Nothing-burger indeed! Do you know how hard it is to be a nothing-burger when selling yourself as change you can believe in?
Omerta is doing his business, while I am doing mine.
It is not necessary to teach others, to cure them or to improve them; it is only necessary to live among them, sharing the human condition, and being present to them in love. Charles de Foucauld