Tag: Florence Reece

Anti-Capitalist meetup: Solidarity Forever (A Sing Along) by EK Hornbeck

An Annual Tradition at The Stars Hollow Gazette and Docudharma.

Solidarity Forever is perhaps the most famous Union anthem yet it’s composer, Ralph Chaplin, came to hate it, writing-

(T)here is no one (among the International Workers of the World, or Wobblies) who does not look with a rather jaundiced eye upon the ‘success’ of ‘Solidarity Forever.’



I didn’t write ‘Solidarity Forever’ for ambitious politicians or for job-hungry labor fakirs seeking a ride on the gravy train.



All of us deeply resent seeing a song that was uniquely our own used as a singing commercial for the soft-boiled type of post-Wagner Act industrial unionism that uses million-dollar slush funds to persuade their congressional office boys to do chores for them.



I contend also that when the labor movement ceases to be a Cause and becomes a business, the end product can hardly be called progress.

For you see, the essence of the song is class consciousness as laid out in the Preamble of The Little Red Book which says, “The working class and the employing class have nothing in common.”  Between Labor and Capital “a struggle must go on until the workers of the world organize as a class, take possession of the earth and the machinery of production, and abolish the wage system.”

By this analysis any Union that did not at it’s core embrace syndicalism, the most famous examples of which in the United States are the craft unions of the American Federation of Labor and the industrial unions of the Congress of Industrial Organizations, was betraying the movement by giving workers the false impression that they have interests in common with and could control the employing class through contracts.

Instead of the conservative motto, ‘A fair day’s wage for a fair day’s work,’ we must inscribe on our banner the revolutionary watchword, ‘Abolition of the wage system.’

Likewise the IWW opposed participation in politics as mere compliance with an inherently corrupt system, “by organizing industrially we are forming the structure of the new society within the shell of the old.”

Now the lyrics I like best are the original 1915 version in which these revolutionary arguments find their clearest expression.

Chorus

Solidarity forever,

Solidarity forever,

Solidarity forever,

For the union makes us strong.

Verses

When the union’s inspiration through the workers’ blood shall run,

There can be no power greater anywhere beneath the sun;

Yet what force on earth is weaker than the feeble strength of one,

But the union makes us strong.

Is there aught we hold in common with the greedy parasite,

Who would lash us into serfdom and would crush us with his might?

Is there anything left to us but to organize and fight?

For the union makes us strong.

It is we who plowed the prairies; built the cities where they trade;

Dug the mines and built the workshops, endless miles of railroad laid;

Now we stand outcast and starving midst the wonders we have made;

But the union makes us strong.

All the world that’s owned by idle drones is ours and ours alone.

We have laid the wide foundations; built it skyward stone by stone.

It is ours, not to slave in, but to master and to own.

While the union makes us strong.

They have taken untold millions that they never toiled to earn,

But without our brain and muscle not a single wheel can turn.

We can break their haughty power, gain our freedom when we learn

That the union makes us strong.

In our hands is placed a power greater than their hoarded gold,

Greater than the might of armies, magnified a thousand-fold.

We can bring to birth a new world from the ashes of the old

For the union makes us strong.

Alas hardly anyone uses them anymore, instead substituting various bowdlerized and watered down versions of the more controversial parts.  Even Pete Seeger (by far the best YouTube version) skips the master and own verse Solidarity Forever:.

Happy Birthday, Pete!

In a few hours I’m going to the Pete Seeger 90th birthday concert, courtesy Lee and Alice (pbut). In my early teens, some who know me now will be surprised to learn, I was a folky. These days, not so much.

But I am proud to say, I have never once stopped defending Pete Seeger from criticisms aesthetic and political. His instrument is not and never was his voice, nor even his banjo. It was his audience. And he played his audience so brilliantly because he genuinely loved them and trusted them to help make his music, their music.

His politics? About the worst you could say about him is that he was a mush-minded humanist, but dammit, he was our mush-minded humanist. And that would a half-truth at best. It was from him that I first heard the song “I Hate The Capitalist System” by Sarah Ogan, who was active in the Harlan County coal-mining struggles in the ’30s (the strike in which Florence Reece wrote “Which Side Are You On?” the song in the video above). And possibly his best instrumental composition for banjo, save only the incomparable “Goofing Off Suite,” is his arrangement of the Chinese People’s Liberation Army’s “Three Rules of Discipline and the Eight Rules of Attention.”

Here is a video that brings all these points together. It’s one of his greatest compositions, a hymn to optimism of the will and the continuity of the struggle called “Quite Early Morning.” It was recorded within the last couple of years in Beacon, NY, and Pete’s voice, as he’s been telling us for years, is shot. It’s freezing cold in the venue where they are taping this. Besides whoever’s behind the camera, there are two people in front of him, bundled up on metal folding chairs, and damned if he doesn’t get them to chime in on the chorus.

Many happy returns, Pete…

Crossposted from Fire on the Mountain.