Tag: history

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 6 is the 279th day of the year (280th in leap years) in the Gregorian calendar. There are 86 days remaining until the end of the year.

On this day in 1927. The Jazz Singer makes its debut in New York City.

The first feature-length motion picture with synchronized dialogue sequences, its release heralded the commercial ascendance of the “talkies” and the decline of the silent film era. Produced by Warner Bros. with its Vitaphone sound-on-disc system, the movie stars Al Jolson, who performs six songs. Directed by Alan Crosland, it is based on a play by Samson Raphaelson.

The story begins with young Jakie Rabinowitz defying the traditions of his devout Jewish family by singing popular tunes in a beer hall. Punished by his father, a cantor, Jakie runs away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer. He attempts to build a career as an entertainer, but his professional ambitions ultimately come into conflict with the demands of his home and heritage.

The premiere was set for October 6, 1927, at Warner Bros.’ flagship theater in New York City. The choice of date was pure show business-the following day was Yom Kippur, the Jewish holiday around which much of the movie’s plot revolves.  The buildup to the premiere was tense. Besides Warner Bros.’ precarious financial position, the physical presentation of the film itself was remarkably complex:

   

Each of Jolson’s musical numbers was mounted on a separate reel with a separate accompanying sound disc. Even though the film was only eighty-nine minutes long…there were fifteen reels and fifteen discs to manage, and the projectionist had to be able to thread the film and cue up the Vitaphone records very quickly. The least stumble, hesitation, or human error would result in public and financial humiliation for the company.

None of the Warner brothers were able to attend: Sam Warner-among them, the strongest advocate for Vitaphone-had died the previous day of pneumonia, and the surviving brothers had returned to California for his funeral.

According to Doris Warner, who was in attendance, about halfway through the film she began to feel that something exceptional was taking place. Jolson’s “Wait a minute” line had prompted a loud, positive response from the audience. Applause followed each of his songs. Excitement built, and when Jolson and Eugenie Besserer began their dialogue scene, “the audience became hysterical.”  After the show, the audience turned into a “milling, battling, mob”, in one journalist’s description, chanting “Jolson, Jolson, Jolson!” Among those who reviewed the film, the critic who foresaw most clearly what it presaged for the future of cinema was Life magazine’s Robert Sherwood. He described the spoken dialogue scene between Jolson and Besserer as “fraught with tremendous significance…. I for one suddenly realized that the end of the silent drama is in sight”.

Critical reaction was generally, though far from universally, positive. New York Times critic Mordaunt Hall, reviewing the film’s premiere, declared that

   

not since the first presentation of Vitaphone features, more than a year ago [i.e., Don Juan], has anything like the ovation been heard in a motion-picture theatre…. The Vitaphoned songs and some dialogue have been introduced most adroitly. This in itself is an ambitious move, for in the expression of song the Vitaphone vitalizes the production enormously. The dialogue is not so effective, for it does not always catch the nuances of speech or inflections of the voice so that one is not aware of the mechanical features.

Variety called it “[u]ndoubtedly the best thing Vitaphone has ever put on the screen…[with] abundant power and appeal.” Richard Watts, Jr. of the New York Herald Tribune called it a “a pleasantly sentimental orgy dealing with a struggle between religion and art…. [T]his is not essentially a motion picture, but rather a chance to capture for comparative immortality the sight and sound of a great performer.” The Exhibitors Herald’s take was virtually identical: “scarcely a motion picture. It should be more properly labeled an enlarged Vitaphone record of Al Jolson in half a dozen songs.” The film received favorable reviews in both the Jewish press and in African American newspapers such as the Baltimore Afro-American, the New York Amsterdam News, and the Pittsburgh Courier. The headline of the Los Angeles Times review told a somewhat different story: “‘Jazz Singer’ Scores a Hit-Vitaphone and Al Jolson Responsible, Picture Itself Second Rate.” Photoplay dismissed Jolson as “no movie actor. Without his Broadway reputation he wouldn’t rate as a minor player.”

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 5 is the 278th day of the year (279th in leap years) in the Gregorian calendar. There are 87 days remaining until the end of the year.

On this day in 1877, Chief Joseph of the Nez Perce Indians surrenders to U.S. General Nelson A. Miles in the Bear Paw mountains of Montana, declaring,

“Hear me, my chiefs: My heart is sick and sad. From where the sun now stands, I will fight no more forever.”

Chief Joseph (March 3, 1840 – September 21, 1904) was the chief of the Wal-lam-wat-kain (Wallowa) band of Nez Perce during General Oliver O. Howard‘s attempt to forcibly remove his band and the other “non-treaty” Nez Perce to a reservation in Idaho. For his principled resistance to the removal, he became renowned as a humanitarian and peacemaker.

Joseph the Younger succeeded his father as chief in 1871. Before his death, the latter counseled his son:

“My son, my body is returning to my mother earth, and my spirit is going very soon to see the Great Spirit Chief. When I am gone, think of your country. You are the chief of these people. They look to you to guide them. Always remember that your father never sold his country. You must stop your ears whenever you are asked to sign a treaty selling your home. A few years more and white men will be all around you. They have their eyes on this land. My son, never forget my dying words. This country holds your father’s body. Never sell the bones of your father and your mother.”

Chief Joseph commented “I clasped my father’s hand and promised to do as he asked. A man who would not defend his father’s grave is worse than a wild animal.”

The non-treaty Nez Perce suffered many injustices at the hands of settlers and prospectors, but out of fear of reprisal from the militarily superior Americans, Joseph never allowed any violence against them, instead making many concessions to them in hopes of securing peace.

In 1873, Chief Joseph negotiated with the federal government to ensure his people could stay on their land in the Wallowa Valley. But in 1877, the government reversed its policy, and Army General Oliver Howard threatened to attack if the Wallowa band did not relocate to the Idaho Reservation with the other Nez Perce. Chief Joseph reluctantly agreed.

Before the outbreak of hostilities, General Howard held a council to try to convince Joseph and his people to relocate. Joseph finished his address to the General, which focused on human equality, by expressing his “[disbelief that] the Great Spirit Chief gave one kind of men the right to tell another kind of men what they must do.”

Howard reacted angrily, interpreting the statement as a challenge to his authority. When Chief Too-hul-hul-sote protested, he was jailed for five days.

The day following the council, Joseph, White Bird, and Chief Looking Glass all accompanied General Howard to look at different areas. Howard offered them a plot of land that was inhabited by Whites and Indians, promising to clear them out. Joseph and his chieftains refused, adhering to their tribal tradition of not taking what did not belong to them.

Unable to find any suitable uninhabited land on the reservation, Howard informed Joseph that his people had thirty days to collect their livestock and move to the reservation. Joseph pleaded for more time, but Howard told him that he would consider their presence in the Wallowa Valley beyond the thirty-day mark an act of war.

Returning home, Joseph called a council among his people. At the council, he spoke on behalf of peace, preferring to abandon his father’s grave over war. Too-hul-hul-sote, insulted by his incarceration, advocated war.

The Wallowa band began making preparations for the long journey, meeting first with other bands at Rocky Canyon. At this council too, many leaders urged war, while Joseph argued in favor of peace.

While the council was underway, a young man whose father had been killed rode up and announced that he and several other young men had already killed four white men, an act sure to initiate war.

Still hoping to avoid further bloodshed, Joseph and other Nez Perce chiefs began leading his people north toward Canada.

With 2,000 U.S. soldiers in pursuit, Joseph and other Nez Perce chiefs led 800 Nez Perce toward their friends the Crows, but when the Crows betrayed them and joined the United States army for money, the Nez Perce went towards freedom at the Canadian border. For over three months, the Nez Perce outmaneuvered and battled their pursuers traveling 1,600 miles (2,570 km) across Oregon, Washington, Idaho, Wyoming, and Montana. General Howard, leading the opposing cavalry, was impressed with the skill with which the Nez Perce fought, using advance and rear guards, skirmish lines, and field fortifications. Finally, after a devastating five-day battle during freezing weather conditions with no food or blankets, Chief Joseph formally surrendered to General Nelson Appleton Miles on October 5, 1877 in the Bear Paw Mountains of the Montana Territory, less than 40 miles (60 km) south of Canada in a place close to the present-day Chinook in Blaine County. The battle is remembered in popular history by the words attributed to Chief Joseph at the formal surrender:

“Tell General Howard I know his heart. What he told me before, I have it in my heart. I am tired of fighting. Our chiefs are killed; Looking Glass is dead, Too-hul-hul-sote is dead. The old men are all dead. It is the young men who say yes or no. He who led on the young men is dead. It is cold, and we have no blankets; the little children are freezing to death. My people, some of them, have run away to the hills, and have no blankets, no food. No one knows where they are-perhaps freezing to death. I want to have time to look for my children, and see how many of them I can find. Maybe I shall find them among the dead. Hear me, my chiefs! I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever.”

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 4 is the 277th day of the year (278th in leap years) in the Gregorian calendar. There are 88 days remaining until the end of the year.

On this day in 1883, the Orient Express commences its first run.

The Orient Express is the name of a long-distance passenger train, the route for which has changed considerably in modern times. The first run of The Orient Express was on 4 October 1883. The train travelled from Paris to Giurgiu in Romania, via Munich and Vienna. At Giurgiu, passengers were ferried across the Danube to Ruse in Bulgaria to pick up another train to Varna. From here they completed their journey to Istanbul by ferry.

The Orient Express was the name of a long-distance passenger train originally operated by the Compagnie Internationale des Wagons-Lits. Its route has changed many times, and several routes have in the past concurrently used the name, or slight variants thereof. Although the original Orient Express was simply a normal international railway service, the name has become synonymous with intrigue and luxury travel. The two city names most intimately associated with the Orient Express are Paris and Istanbul, the original endpoints of the service.

The original route, which first ran on October 4, 1883, was from Paris, Gare de l’Est, to Giurgiu in Romania via Munich and Vienna. At Giurgiu, passengers were ferried across the Danube to Rousse in Bulgaria to pick up another train to Varna, from where they completed their journey to Istanbul (then called Constantinople) by ferry. In 1885, another route began operations, this time reaching Istanbul via rail from Vienna to Belgrade and Nis, carriage to Plovdiv and rail again to Istanbul.

In 1889, the train’s eastern terminus became Varna in Bulgaria, where passengers could take a ship to Istanbul. On June 1, 1889, the first non-stop train to Istanbul left Paris (Gare de l’Est). Istanbul remained its easternmost stop until May 19, 1977. The eastern terminus was the Sirkeci Terminal by the Golden Horn. Ferry service from piers next to the terminal would take passengers across the Bosporus Strait to Haydarpasa Terminal, the terminus of the Asian lines of the Ottoman railways.

The onset of World War I in 1914 saw Orient Express services suspended. They resumed at the end of hostilities in 1918, and in 1919 the opening of the Simplon Tunnel allowed the introduction of a more southerly route via Milan, Venice and Trieste. The service on this route was known as the Simplon Orient Express, and it ran in addition to continuing services on the old route. The Treaty of Saint-Germain contained a clause requiring Austria to accept this train: formerly, Austria allowed international services to pass through Austrian territory (which included Trieste at the time) only if they ran via Vienna. The Simplon Orient Express soon became the most important rail route between Paris and Istanbul.

The 1930s saw the zenith of Orient Express services, with three parallel services running: the Orient Express, the Simplon Orient Express, and also the Arlberg Orient Express, which ran via Zürich and Innsbruck to Budapest, with sleeper cars running onwards from there to Bucharest and Athens. During this time, the Orient Express acquired its reputation for comfort and luxury, carrying sleeping-cars with permanent service and restaurant cars known for the quality of their cuisine. Royalty, nobles, diplomats, business people and the bourgeoisie in general patronized it. Each of the Orient Express services also incorporated sleeping cars which had run from Calais to Paris, thus extending the service right from one edge of continental Europe to the other.

The start of the Second World War in 1939 again interrupted the service, which did not resume until 1945. During the war, the German Mitropa company had run some services on the route through the Balkans, but partisans frequently sabotaged the track, forcing a stop to this service.

Following the end of the war, normal services resumed except on the Athens leg, where the closure of the border between Yugoslavia and Greece prevented services from running. That border re-opened in 1951, but the closure of the Bulgaria-Turkey border from 1951 to 1952 prevented services running to Istanbul during that time. As the Iron Curtain fell across Europe, the service continued to run, but the Communist nations increasingly replaced the Wagon-Lits cars with carriages run by their own railway services.

By 1962, the Orient Express and Arlberg Orient Express had stopped running, leaving only the Simplon Orient Express. This was replaced in 1962 by a slower service called the Direct Orient Express, which ran daily cars from Paris to Belgrade, and twice weekly services from Paris to Istanbul and Athens.

In 1971, the Wagon-Lits company stopped running carriages itself and making revenues from a ticket supplement. Instead, it sold or leased all its carriages to the various national railway companies, but continued to provide staff for the carriages. 1976 saw the withdrawal of the Paris-Athens direct service, and in 1977, the Direct Orient Express was withdrawn completely, with the last Paris-Istanbul service running on May 19 of that year.

The withdrawal of the Direct Orient Express was thought by many to signal the end of Orient Express as a whole, but in fact a service under this name continued to run from Paris to Budapest and Bucharest as before (via Strasbourg, Munich, and Budapest). This continued until 2001, when the service was cut back to just Paris-Vienna, the coaches for which were attached to the Paris-Strasbourg express. This service continued daily, listed in the timetables under the name Orient Express, until June 8, 2007. However, with the opening of the Paris-Strasbourg high speed rail line on June 10, 2007, the Orient Express service was further cut back to Strasbourg-Vienna, departing nightly at 22:20 from Strasbourg, and still bearing the name.

I still have my compartment key

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 3 is the 276th day of the year (277th in leap years) in the Gregorian calendar. There are 89 days remaining until the end of the year.

On this day in 1967, Woody Guthrie, godfather of the 1950s folk revival movement, dies.

In 1963, Bob Dylan was asked by the authors of a forthcoming book on Woody Guthrie to contribute a 25-word comment summarizing his thoughts on the man who had probably been his greatest formative influence. Dylan responded instead with a 194-line poem called “Thoughts on Woody Guthrie,” which took as its theme the eternal human search for hope. “And where do you look for this hope that yer seekin’?” Dylan asks in the poem, before proceeding to a kind of answer:

You can either go to the church of your choice

Or you can go to Brooklyn State Hospital

You’ll find God in the church of your choice

You’ll find Woody Guthrie in Brooklyn State Hospital

Woodrow Wilson “Woody” Guthrie (July 14, 1912 – October 3, 1967) is best known as an American singer-songwriter and folk musician, whose musical legacy includes hundreds of political, traditional and children’s songs, ballads and improvised works. He frequently performed with the slogan This Machine Kills Fascists displayed on his guitar. His best-known song is “This Land Is Your Land”, which is regularly sung in American schools. Many of his recorded songs are archived in the Library of Congress. Such songwriters as Bob Dylan, Phil Ochs and Tom Paxton have acknowledged their debt to Guthrie as an influence.

Guthrie traveled with migrant workers from Oklahoma to California and learned traditional folk and blues songs. Many of his songs are about his experiences in the Dust Bowl era during the Great Depression, earning him the nickname the “Dust Bowl Troubadour”. Throughout his life Guthrie was associated with United States communist groups, though he was never an actual member of any.

Guthrie was married three times and fathered eight children, including American folk musician Arlo Guthrie. He is the grandfather of musician Sarah Lee Guthrie. Guthrie died from complications of Huntington’s disease, a progressive genetic neurological disorder. During his later years, in spite of his illness, Guthrie served as a figurehead in the folk movement, providing inspiration to a generation of new folk musicians, including mentor relationships with Ramblin’ Jack Elliott and Bob Dylan.

Folk revival and Guthrie’s death

In the late 1950s and early 1960s, a new generation of young people were inspired by folk singers including Guthrie. These “folk revivalists” became more politically aware in their music than those of the previous generation. The American Folk Revival was beginning to take place, focused on the issues of the day, such as the civil rights movement and free speech movement. Pockets of folk singers were forming around the country in places such as Cambridge, Massachusetts and the Greenwich Village neighborhood of New York City. One of Guthrie’s visitors at Greystone Park was the 19-year-old Bob Dylan, who idolized Guthrie. Dylan wrote of Guthrie’s repertoire: “The songs themselves were really beyond category. They had the infinite sweep of humanity in them.” After learning of Guthrie’s whereabouts, Bob Dylan regularly visited him. Guthrie died of complications of Huntington’s disease on October 3, 1967. By the time of his death, his work had been discovered by a new audience, introduced to them in part through Bob Dylan, Pete Seeger, Ramblin’ Jack Elliott, his ex-wife Marjorie and other new members of the folk revival, and his son Arlo.

Huntington’s Disease Society of America

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 2 is the 275th day of the year (276th in leap years) in the Gregorian calendar. There are 90 days remaining until the end of the year.

On this day in 1959, “The Twilight Zone” premiered on CBS television.

The Twilight Zone is an American anthology television series created by Rod Serling, which ran for five seasons on CBS from 1959 to 1964. The series consisted of unrelated episodes depicting paranormal, futuristic, dystopian, or simply disturbing events; each show typically featured a surprising plot twist and was usually brought to closure with some sort of message. The series was also notable for featuring both established stars (e.g. Cliff Robertson, Ann Blyth, Jack Klugman) and younger actors who would later became famous (e.g. Robert Redford, William Shatner, Mariette Hartley, Shelley Fabares). Rod Serling served as executive producer and head writer; he wrote or co-wrote 92 of the show’s 156 episodes. He was also the show’s host, delivering on- or off-screen monologues at the beginning and end of each episode. During the first season, except for the season’s final episode, Serling’s narrations were off-camera voiceovers; he only appeared on-camera at the end of each show to promote the next episode (footage that was removed from syndicated versions but restored for DVD release, although some of these promotions exist today only in audio format).

The “twilight zone” itself is not presented as being a tangible plane, but rather a metaphor for the strange circumstances befalling the protagonists. Serling’s opening and closing narrations usually summarized the episode’s events in tones ranging from cryptic to pithy to eloquent to unsympathetic, encapsulating how and why the main character(s) had “entered the Twilight Zone”.

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 1 is the 274th day of the year(275th in leap years) in the Gregorian calendar. There are 91 days remaining until the end of the year.

On this day in 1946, 12 high-ranking Nazis are sentenced to death by the International War Crimes Tribunal in Nuremberg. Among those condemned to death by hanging were Joachim von Ribbentrop, Nazi minister of foreign affairs; Hermann Goering, founder of the Gestapo and chief of the German air force; and Wilhelm Frick, minister of the interior. Seven others, including Rudolf Hess, Adolf Hitler’s former deputy, were given prison sentences ranging from 10 years to life. Three others were acquitted.

The Nuremberg Trials were a series of military, held by the main victorious Allied forces of World War II, most notable for the prosecution of prominent members of the political, military, and economic leadership of the defeated Nazi Germany. The trials were held in the city of Nuremberg, Bavaria, Germany, in 1945-46, at the Palace of Justice. The first and best known of these trials was the Trial of the Major War Criminals before the International Military Tribunal (IMT), which tried 22 of the most important captured leaders of Nazi Germany. It was held from November 20, 1945 to October 1, 1946. The second set of trials of lesser war criminals was conducted under Control Council Law No. 10 at the US Nuremberg Military Tribunals (NMT); among them included the Doctors’ Trial and the Judges’ Trial.

The Main Trial

The International Military Tribunal was opened on October 18, 1945, in the Palace of Justice in Nuremberg. The first session was presided over by the Soviet judge, Nikitchenko. The prosecution entered indictments against 24 major war criminals and six criminal organizations – the leadership of the Nazi party, the Schutzstaffel (SS) and Sicherheitsdienst (SD), the Gestapo, the Sturmabteilung (SA) and the “General Staff and High Command,” comprising several categories of senior military officers.

The indictments were for:

  1. Participation in a common plan or conspiracy for the accomplishment of a crime against peace

  2. Planning, initiating and waging wars of aggression and other crimes against peace

  3. War crimes

  4. Crimes against humanity

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

September 30 is the 273rd day of the year (274th in leap years) in the Gregorian calendar. There are 92 days remaining until the end of the year.

On this day in 1791, The Magic Flute, Die Zauberflote, an opera in two acts composed by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder, premiered in Vienna at the Freihaus-Theater auf der Wieden. Mozart conducted and Schikaneder played Papageno, while the role of the Queen of the Night was sung by Mozart’s sister-in-law Josepha Hofer. This was Mozart’s last opera.

I’ve been writing diaries here as a matter of praxis, that is, bringing theory and practice together as dialectically critical action, this is yet another attempt to make the somewhat odious task of understanding the core of marxist thought and applying it to coherent contemporary circumstance. This example shows the fundamental problem in taking an oppositional stance to capitalism as anti-capitalist thinking, how to discuss the alternatives as types of post-capitalism, and what comes afterward in terms of development. One first must understand the materialist approach to history and see capitalism’s place. Human development as cultural/social development laid upon nature’s development is always sets of uneven development even in terms of the prehistoric, knowing that many different versions of humanoids did at some moments live in parallel, some evolving to survive and others not, in a godless ecological struggle. Similarly uneven development exists for each of the historical stages of human social/economic development often described as Modes of production and the Five stages of history. Where it can get complicated is specifying the forces of production.

History can be described as divided into these stages

2.1 Primitive Communism

2.2 Slave Society

2.3 Feudalism

2.4 Capitalism

2.5 Socialism

2.6 Communism

We can still see echoes of more primitive relations even today in the informal economies of barter as forms of primitive communism and the indentured labor of some immigrant labor whether in this country or others. Enslavement exists in many forms in these uneven developments whether as actual human ownership in sex traffic or wage slavery as in globalized mass-market, corporately-owned consumer industries. Socialism or collective ownership of the means and forces of production has been achieved at various historical moments with varied success and failure and always exists as a non-totality in that other historical stages have and continue to exist in an uneven relationship and in various evolutionary forms.

This diary’s example will be of necessity a schematic version applied to the current situation of wind energy production in the United States signifying those uneven stages of historical development

The economy in which these modal stages are situated have three moments: production circulation consumption, which as a circuit reproduces itself. that is. each consuming moment induces a new, subsequent producing moment, much like the dialectic of thesis, antithesis, and synthesis producing a new thesis.

Writers who identify with historical materialism usually postulate that society has moved through a number of types or modes of production. That is, the character of the production relations is determined by the character of the productive forces; these could be the simple tools and instruments of early human existence, or the more developed machinery and technology of present age. The main modes of production Marx identified generally include primitive communism or tribal society (a prehistoric stage), ancient society, feudalism, and capitalism. In each of these social stages, people interact with nature and produce their living in different ways. Any surplus from that production is allotted in different ways. Ancient society was based on a ruling class of slave owners and a class of slaves; feudalism was based on landowners and serfs; and capitalism based on the capitalist class and the working class. The capitalist class privately owns the means of production, distribution and exchange (e.g., factories, mines, shops and banks) while the working class live by exchanging their socialized labour with the capitalist class for wages.

In order to apply this to wind power, the task is to project those stages as simply as possible. Wind is basic yet necessarily tied to other natural factors of production in terms of marine or terrestrial environment. It appears greater in various locations yet even those quantities are not consistent even seasonally and as a natural resource are difficult to capitalize upon. More problematic is its availability as seemingly costless, yet also impossible to accumulate in any surplus in its natural form, hence its designation as a common-pool resource. If you put up a windmill you are being a primitive communist until the height or appearance interferes with your neighbors. As you derive power whether as grinding mill, water pump, or electrical generator, you accumulate various types of materially transformed surplus. Its subsequent transformation into “wind capital” comes in the means by which power is produced and its relation to the entire productive circuit. In the mercantile or feudal case of grinding grain or pumping water it comes from being one part of producing other goods, whereas as under capitalism it can be not only an industrialized farm but as in the case of mineral exploitation, speculative contracts auctioned off among capitalists over a very long cycle of manufacturing, siting, and operating. These are of necessity coexisting uneven developments whether you have a single subsistence farm windmill in the Southern Hemisphere or a massive industrial wind farm fueling a national energy grid in the Northern Hemisphere. As has been mentioned here and elsewhere in DK, alternative capital accumulating organizations with a public/social purpose, whether organized cooperatively or collectively continue to emerge with varying success to resist the hegemony of capitalist energy corporations. Just as the development of the Cape Wind turbine farm off the shore of Massachusetts is less about the capital and labor needed for construction or the deconstruction of class narratives about environmental hazard or aesthetic blight, than the fictive capital embodied in auctioned speculative leases and their relation to the corporate energy oligopoly of the New England electricity grid. Unevenness occurs in the scale of such endeavors since the NIMBY-ness of small scale backyard wind turbines ranges from the quaint reproduction of historical windmills to the pathological fear of eyesores, noise, and dead birds.

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

September 29 is the 272nd day of the year (273rd in leap years) in the Gregorian calendar. There are 93 days remaining until the end of the year.

On this day in 1547, Miguel de Cervantes, author of Don Quixote, is born this day near Madrid.

Cervantes led an adventurous life and achieved much popular success, but he nevertheless struggled financially throughout his life. Little is know about his childhood, except that he was a favorite student of Madrid humanist Juan Lopez, and that his father was an apothecary.

In 1569, Cervantes was living in Rome and working for a future cardinal. Shortly thereafter, he enlisted in the Spanish fleet to fight against the Turks. At the Battle of Lepanto in 1571, he took three bullets and suffered permanent damage to his left hand. Later, he was stationed at Palermo and Naples. On the way home to Madrid in 1575, he and his brother Roderigo were captured by Barbary pirates and held captive in Algiers. Cervantes was ransomed after five years of captivity and returned to Madrid, where he began writing. Although his records indicate he wrote 20 to 30 plays, only two survive. In 1585, he published a romance. During this time, he married a woman 18 years younger than he was and had an illegitimate daughter, whom he raised in his household. He worked as a tax collector and as a requisitioner of supplies for the navy, but was jailed for irregularities in his accounting. Some historians believe he formulated the idea for Don Quixote while in jail.

In 1604, he received the license to publish Don Quixote. Although the book began as a satire of chivalric epics, it was far more complex than a simple satire. The book blended traditional genres to create a sad portrait of a penniless man striving to live by the ideals of the past. The book was a huge success and brought Cervantes literary respect and position, but did not generate much money. He wrote dramas and short stories until a phony sequel, penned by another writer, prompted him to write Don Quixote, Part II in 1615.

Cervantes died in Madrid on April 23, 1616. In honor of the date on which both Miguel de Cervantes and William Shakespeare died, UNESCO established April 23 as the International Day of the Book. (Shakespeare and Cervantes, however, did not actually die on the same day, as the April 23 date for Shakespeare is Julian calendar (Old Style) and the April 23 date for Cervantes is Gregorian calendar (New Style) as those were the calendars in effect in England and in Spain, respectively, at that time. The Gregorian calendar was then ten days ahead of the Julian.)  

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

September 28 is the 271st day of the year (272nd in leap years) in the Gregorian calendar. There are 94 days remaining until the end of the year.

On this day in 1928, the antibiotic Penicillin was discovered. It’s discovery is attributed to Scottish scientist and Nobel laureate Alexander Fleming in 1928. He showed that, if Penicillium notatum  was grown in the appropriate substrate, it would exude a substance with antibiotic properties, which he dubbed penicillin. This serendipitous  observation began the modern era of antibiotic discovery. The development of penicillin for use as a medicine is attributed to the Australian Nobel laureate Howard Walter Florey together with the German Nobel laureate Ernst Chain and the English biochemist Norman Heatley.

However, several others reported the bacteriostatic effects of Penicillium earlier than Fleming. The use of bread with a blue mould (presumably penicillium) as a means of treating suppurating wounds was a staple of folk medicine in Europe since the Middle Ages. The first published reference appears in the publication of the Royal Society in 1875, by John Tyndall. Ernest Duchesne documented it in an 1897 paper, which was not accepted by the Institut Pasteur because of his youth. In March 2000, doctors at the San Juan de Dios Hospital in San José, Costa Rica published the manuscripts of the Costa Rican scientist and medical doctor Clodomiro (Clorito) Picado Twight (1887-1944). They reported Picado’s observations on the inhibitory actions of fungi of the genus Penicillium between 1915 and 1927. Picado reported his discovery to the Paris Academy of Sciences, yet did not patent it, even though his investigations started years before Fleming’s. Joseph Lister was experimenting with penicillum in 1871 for his Aseptic surgery. He found that it weakened the microbes but then he dismissed the fungi.

Fleming recounted that the date of his discovery of penicillin was on the morning of Friday, September 28, 1928. It was a fortuitous accident: in his laboratory in the basement of St. Mary’s Hospital in London (now part of Imperial College), Fleming noticed a petri dish containing Staphylococcus plate culture he had mistakenly left open, which was contaminated by blue-green mould, which had formed a visible growth. There was a halo of inhibited bacterial growth around the mould. Fleming concluded that the mould was releasing a substance that was repressing the growth and lysing the bacteria. He grew a pure culture and discovered that it was a Penicillium mould, now known to be Penicillium notatum. Charles Thom, an American specialist working at the U.S. Department of Agriculture, was the acknowledged expert, and Fleming referred the matter to him. Fleming coined the term “penicillin” to describe the filtrate of a broth culture of the Penicillium mould. Even in these early stages, penicillin was found to be most effective against Gram-positive bacteria, and ineffective against Gram-negative organisms and fungi. He expressed initial optimism that penicillin would be a useful disinfectant, being highly potent with minimal toxicity compared to antiseptics of the day, and noted its laboratory value in the isolation of “Bacillus influenzae” (now Haemophilus influenzae). After further experiments, Fleming was convinced that penicillin could not last long enough in the human body to kill pathogenic bacteria, and stopped studying it after 1931. He restarted clinical trials in 1934, and continued to try to get someone to purify it until 1940.

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

September 27 is the 270th day of the year (271st in leap years) in the Gregorian calendar. There are 95 days remaining until the end of the year.

On this day in 1922, Jean-François Champollion deciphered the hieroglyphs of the Rosetta Stone with the help of groundwork laid by his predecessors: Athanasius Kircher, Silvestre de Sacy, Johan David Akerblad, Thomas Young, and William John Bankes. Champollion translated parts of the Rosetta Stone, showing that the Egyptian writing system was a combination of phonetic and ideographic signs.

Thomas Young was one of the first to attempt decipherment of the Egyptian hieroglyphs, basing his own work on the investigations of Swedish diplomat Akerblad, who built up a demotic  alphabet of 29 letters (15 turned out to be correct) and translated all personal names and other words in the Demotic part of the Rosetta Stone  in 1802. Akerblad however, wrongly believed that demotic was entirely phonetic or alphabetic. Young thought the same, and by 1814 he had completely translated the enchorial (which Champollion labeled Demotic as it is called today) text of the Rosetta Stone (he had a list with 86 demotic words). Young then studied the hieroglyphic alphabet and made some progress but failed to recognise that demotic and hieroglyphic texts were paraphrases and not simple translations. In 1823 he published an Account of the Recent Discoveries in Hieroglyphic Literature and Egyptian Antiquities. Some of Young’s conclusions appeared in the famous article Egypt he wrote for the 1818 edition of the Encyclopædia Britannica.

When Champollion, in 1822, published his translation of the hieroglyphs and the key to the grammatical system, Young and all others praised this work. Young had indicated in a letter to Gurney that he wished to see Champollion acknowledge that he had made use of Young’s earlier work in assisting his eventual deciphering of hieroglyphics. Champollion was unwilling to share the credit even though initially he had not recognized that hieroglyphics were phonetic. Young corrected him on this, and Champollion attempted to have an early article withdrawn once he realized his mistake. Strongly motivated by the political tensions of that time, the British supported Young and the French Champollion. Champollion completely translated the hieroglyphic grammar based in part upon the earlier work of others including Young. However, Champollion maintained that he alone had deciphered the hieroglyphs. After 1826, he did offer Young access to demotic manuscripts in the Louvre, when he was a curator. Baron Georges Cuvier (1825) credited Champollion’s work as an important aid in dating the Dendera Zodiac.

Cross posted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

September 26 is the 269th day of the year (270th in leap years) in the Gregorian calendar. There are 96 days remaining until the end of the year.

On this day on 1957, West Side Story premieres on Broadway. East Side Story was the original title of the Shakespeare-inspired musical conceived by choreographer Jerome Robbins, written by playwright Arthur Laurents and scored by composer and lyricist Leonard Bernstein in 1949. A tale of star-crossed lovers-one Jewish, the other Catholic-on Manhattan’s Lower East Side, the show in its original form never went into production, and the idea was set aside for the next six years. It was more than just a change of setting, however, that helped the re-titled show get off the ground in the mid-1950s. It was also the addition of a young, relatively unknown lyricist named Stephen Sondheim. The book by Arthur Laurents and the incredible choreography by Jerome Robbins helped make West Side Story a work of lasting genius, but it was the strength of the songs by Stephen Sondheim and Leonard Bernstein that allowed it to make its Broadway debut on this day in 1957.

There are no videos of the original Broadway production which starred Larry Kert as Tony, Carol Lawrence as Maria, Ken Le Roy as Bernardo and Chita Rivera as Anita (Ms. Rivera reprized her role in the movie), so here is the Prologue from the Academy Award winning movie. The area that the movie was filmed no longer exists. The 17 blocks between Columbus and Amsterdam Avenues, from West 60th to West 66th Street on the Upper West Side of Manhattan where he filming took place were demolished to build Lincoln Center for the Preforming Arts.