Tag: Protest Music

Last week we started this series, beginning in 1958 and going through early 1966.  This week we shall cover to the end of 1967.  The reason for the shorter timeframe is that the band were much busier and beginning to know real success beginning then, with a really good year in 1967.

Last week I failed to mention that Keith Moon married Patsy Kerrigan on 19660317.  He nicknamed her “Kim”, which stayed with her for the rest of her life.  She was killed in an automobile accident in 2006.  I apologize for the oversight.

I also neglected to report this piece of trivia about “Substitute”.  In the original US release on 19660402, the line in the original that goes “I look all white, but my dad was black.” was altered to “I try going forward but my feet walk back.”  I strongly suspect that this was because the Atco executives (this was the only song released by Atco with The Who) feared reprisal from the bigots in the US.

In any event, let us take up where we left off, more or less, last week.

In this series about The Who we have reviewed all of their albums through Who are You, and I chose to stop there because the band were just not the same after the death of Keith Moon.  We shall now go back and look at the formation of the band, their rise to fame, and their slow decline after the release of Who’s Next.

Tonight we shall concentrate on their meeting and early success, ending with the departure of the really shady Shel Talmey in 1966.  Most people are not really aware of how far back some of the band members actually went, and how the band came to be in its lineup of Roger Daltrey, John Enwistle, Keith Moon, and Peter Townshend.  There were two others who, although they did not play or sing or write, were absolutely essential to the evolution of the band into what it became.

This is the last post that I shall do for albums released by The Who.  They died in 1978 when Moon died.  However, that does not mean that this is the last post about them.  There is lots of other material from 1978 back that I have not covered, and a few gems from later than 1978.

However, as a vital, functional band The Who really ceased to exist after the death of Moon.  As a matter of fact, the death of The Who was actually before that of Moon’s death since they were no longer in studio since Who are You had just been released.

This installment might get to be a bit emotional, so please bear with me.  The reasons will be obvious as the story unfolds.  With that said, let us go!

The Who by Numbers is the second to last studio album released by The Who, released in October 1975.  The UK release date was the the third, by Polydor Records, and the US release date was the 25th on MCA Records.

The album did rather well, charting at #8 in the US and #7 in the UK.  Personally, it probably my least favorite album from The Who.  Many of the songs are very dark, likely because of Townshend’s deepening alcoholism.  However, at least one song was upbeat.

With that said, let us listen to some music!

I do not always write about bands that I particularly like, and this one of those times.  While they were quite popular at the time, none of the songs released by the band were very important in the grand scheme of music in my opinion.

The band formed in 1965 and by 1968 was no more, as they wanted solo careers.  We see how well that worked out for them with one exception.  The reunited for a couple of months in 1971, but not much came of it.  Their entire existence sort of reads like a soap opera, and we shall hit the high (this is quite a pun) parts of it during this piece.

Even though they are still remembered, they only had six songs to chart in the Top 10 in the US, and only two or three of those are remembered by more than real hardcore fans of them.  “Monday, Monday” and “California Dreaming” are about all there are known to most folks.

We had a really good time with Part I last week!  I very much appreciated all of the comments and suggestions that folks sent.  Now we are ready for Part II, and it gets even better!

This week we shall look at the bonus tracks that were included on the 1998 remastered CD, some of them previously unavailable except as bootlegs.  Some of them are quite good, by the way.  Of course, there are several stories to go along with them so we had better get started.

Odds and Sods was the third “canonical” compilation album released by  The Who, released 19740928, almost exactly 37 years ago today.  

In the US the record was released by MCA, and in the UK by Track.   There is some discrepancy as to how the record charted, some references saying #10 and #15 in the UK and US, respectively, whilst others indicate #10 and #8.

This is one of my favorite records, since it contains material not previously released, some of which is amongst their best.  It also marked the final release of material that I consider “classic” Who, since the next studio album, The Who by Numbers, was a considerable departure from their old sound, a trend already started by Quadrophenia, discussed here and here.

All of the material was previously unreleased, except “I’m the Face” which we shall discuss in a bit.  None of the material on the record was specifically recorded for it, but rather were studio tapes recorded months to years before it was compiled and released.