Tag: music

Last week a commentator put the bug in my ear that I do not ALWAYS have to write about subjects that I like very much.  I have done it before, but usually in connexion with other topics.  This installment is different.

This one is concerned with Pat Boone, one of the most insipid and untalented “artists” ever to plague us with his presence.  He was a creation of his time, and although he could sing, sort of, was and still is, in my opinion, more of a curious relic of desegregation.

Please come with us on a very curious journey that still does not very well explain how a relatively talentless individual has continued to be in the spotlight since before I was born, and I am not that young.  Please enter here.

This is the first part of a comprehensive treatment of the albums released by The Who.  This promises to be an extremely long series, but I shall intersperse it with other topics from time to time, to keep it from being too monotonous.

I know, but still can not understand why, some folks are not fans of The Who.  LOL!  This was their first album, and was quite good in some respects, and weak in others.  They had already had some hit singles, but nothing astounding as of yet.  Note that I am using the U.S. discography by default, since I am in the United States.  Where possible, I shall cross reference it to the U.K. one.  Note that we shall take the studio albums first, then the live ones, and then attempt the very long list of compilations.

I have written about The Who many times before, but have never started at the beginning of their album career to cover it from then to now.  I hope that you like the effort, and some of the excellent music that I shall embed.

I love to be able to fuse two topics into one!  Since almost the beginning of TeeVee, there has been theme music for its programs.  Many of you will remember lots of them, but there were some programs without music, the very first TeeVee image being one of them, although it got a theme later.  Does that pique your interest?

TeeVee became widely available in the late 1940s, in large part because of the revolutionary improvements in electronics because of the necessity of the war effort.  However, there is a backstory to that as well:  after the war was over, there was a flood of components that were military surplus, available for cents on the dollar, to be had by manufacturers.

TeeVee had been invented long before World War II, but the components were rare and expensive.  Because of the glut of surplus components, TeeVee became widely available, but that is more of a Pique the Geek piece.

One might expect that a band that was formed FIFTY YEARS ago this year might have some significant connexions with others, and one would be correct.  That is a long time ago, and The Zombies were early, British, and quite good.  They were not as prolific as many other bands, and almost became victims of their own success in a manner of speaking.

Interestingly, The Zombies were always more popular in the United States than they were in the United Kingdom.  I have no explanation for that other than the hypothesis that when they were getting “hot”, other bands like The Who, The Rolling Stones, and The Beatles were getting even hotter in the UK.

Please come with me to review the career of this very, very underrated British Invasion band.  As a preview to Pique the Geek for Sunday evening at 9:00 PM Eastern, the topic for the evening will be a new installment to my off and on series about firearms, this time about the propellants black powder and the modern smokeless powders, with a nod to Pryodex(r), a more modern substitute for black powder.

There are bands and there are bands.  This band has gone through so many transitions that even I, The Geek, can not keep up with all of them, but I do know that in their original lineup that they were close to, if not actually, great.

Deep Purple were a sort of late on the invasion set band from England, only releasing their first record in 1968.  They did some original material, but their first hit was a cover of Hush, by Joe South, written for Billy Joe Royal, and it was an OK hit.

I only intend to treat the Mark I lineup, because I personally found their material to deteriorate quickly after the band were realigned, although their big hits were later.  Please come with me and explore what was to later become one of the first big hair bands, and one of the loudest in concert.

I do not often write about American artists, not because they they are no good (many, many are), but because British ones interest me more.  Here is an exception.  Not only is he extremely talented, he also wrote many of the books, so to speak, for the British Invasion.

The story about him being adopted by Jewish parents is just a myth.  There are elaborate ones about how the white, Jewish family adopted the poor little black boy when he was just a baby and, trying to keep him close to his roots, took him to a black gospel church.  That is nonsense!  Please keep with me to learn more about him, and to enjoy what is likely the very best fusion of rhythm and blues and rock and roll ever.

He did not only perform it, he wrote lots of it!  With no further ado, here is a glimpse into one of my favorite performers.

One of the most popular, and in my opinion, most talented of the British Invasion solo acts was Donovan Philips Leitch, known simply as Donovan.  He had several monster hits both in the UK and in the US in the mid 1960s, and many people recognize the music but not necessarily the artist.

His style was more folk than rock, and I personally believe that if it had not been for Bob Dylan Donovan would be remembered as the greatest folk singer of the 1960s.  Fortunately, he is still with us and has a talented progeny as well.  

I’m firmly convinced that one of the differences between the hippy counter culture of 1960s, to some extent the punk counter culture of 1980s as well, is the cultural explosion that happened opposing the war, and by and large all wars.  “DFH” has become an acronym & a cliche, but also it implies that the left is something of the past; a bit of a dinosaur. Which is somewhat true, I guess.

Today, those of us on the left, well, we still revere the music of those earlier times — for some of us we’re stuck on  Creedence Clearwater and others from the 60’s, for others it’s the Clash, and for still others it’s Public Enemy (both 1980s) , and there’s some 90’s stuff as well, although that was a fairly tame era  for  war by the US standards .  Since, I make left music right now today, I naturally went looking for other peoples stuff.

First thing I came across was this :

Anti-war songs fall flat

http://www.politico.com/news/s…

I won’t bore you with a quote from this article, but basically as the title says, the author claimed that modern anti war music was dead in the marketplace, and poked a lot of fun at Tori Amos who penned ‘Yo George,’ against Bush & war.  And at first, I thought that might well be correct, I mean again…look how focused we are on much older stuff here.

But, looking a little more; at just the stuff from the Afghan/ Iraq wars to present, I found a lot of stuff I didn’t expect–including several anti war mega hits, that politico somehow didn’t bother to mention. Eminem penned a huge selling rap song, because he didn’t want his brother to go to war.  Post punk icon Green Day has at least two recent huge anti war hits, maybe more. Old timers like Neil Young & the late Johnny Cash have recent anti war songs, and Bruce Springstein, has apparently gone far, far left from his 1970’s hayday. In fact, in genres from Afro Pop and Reggae to Alternative or Country, artists are writing left and anti war music.  Maybe what’s happening now isn’t one counter culture movement, but a whole bunch of different anti war movements–diffused out into a more diverse cultural environment.

So here’s the 40 songs I came up with, screen-grabs taken off of itunes for those who don’t have it

(my own effort at #2 on the list, after the maligned by politico, Tori Amos) :

Uploaded with ImageShack.us

Most everyone who is aware of The Who as a major British band realize that the three instrumentalists were very good at their crafts, and some say that Keith Moon may have been the best rock and roll drummer who ever lived.  However, the bass player, John Entwistle, did much more than play bass.

John Alec Enwistle, born 19441009 and died 20029627, was one of the original members of the band.  He and Pete Townshend formed a band in the late 1950s, and he left to join Roger Daltrey’s band in the early 1960s.  He convinced Daltrey to have Townshend join, and with the admission of Keith Moon The Who were formed.

Posted at Daily Kos and as “My Views from Last Week” at Star Hollow Gazette.

I have a few pleasant photography stories to tell from a week ago. Between the autumn color and the desperation of one last warm weather week, it was a good week for a photo buff. Now don’t go busting my bubble by just looking at the photos because you can learn a lot from a photographer. We see things.

Below you will find a Third Rock from the Sun brief encounter during an evening walk in the Village. I have several memories from a lecture I attended on photojournalism. There is a pleasant Veterans Day walk under the George Washington Bridge on the New Jersey side followed by a sunset from the New York side. Then a Friday afternoon walk in Central Park with some music videos I made and all day Saturday there too. There is even a little taste of Florence, Italy.