Last week we finished up 1970, which to date had been by far the best year for The Who insofar as commercial success goes. Sales of Tommy were still good, and Live at Leeds was very well received both critically and in sales figures.
Now, what to do? Townshend was at sort of a crossroads, knowing that he had to do something to show that Tommy was not just a fluke. The answer to this, at least in his mind, was turned out to be the ill-fated Lifehouse project. Since I did a standalone piece about Lifehouse here, I shall concentrate on other aspects of 1971.
I suggest that you read this chronological treatment of other things from 1971, then take a break and read the Lifehouse piece, then come back. It’s OK, I can wait! I have some snacks and can answer comments all night!